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Archive for the ‘Lighting’ Category

So I am continuing to love Instagram as it allows me to post shrine sale finds and other interesting items on a real-time basis which is just so satisfying. For those of you who have not taken the leap, I’ve been finding some great treasures for myself recently and I’d love to share them. My blue-green glass addiction is unabated and I found this chubby sake bottle last week.  The two “ears” on either side of the bottle neck would have had a handle running through them originally. I think this one is perfectly shaped to be a lamp, but in the meantime, I will allow him to just hang out with his friends.

blue green sake bottle for lamp

Speaking of lamps, this sake jug with its flowers, unusual in that most rustic jugs just have a manufacturer’s name or mark painted on them like these, is also a wonderful shape for a lamp.

flowered sake jug

I love its implied relation to an American classic, the stoneware jug. It took the floral decoration on it to make me see it that way.

Somerset Potters stoneware jug

Actual lamps have been another find, although I know I paid more than I should have for this purpley-indigo beauty. I have wanted a tiny task lamp for my desk at the beach house and looked everywhere the last two summers for one with no luck.

blue work lamp

It will be absolutely perfect up here, so I had to have it.

hydrangeas in transferware bowl

I also couldn’t resist this minty green metal storage box. Don’t know what it is for or where exactly it will go, but I am sure I will find a place!

vintage metal box mint green

My lavender and blue dreams continue, with the markets fully supporting them. Lavender is not a typical color in Japanese textiles – it really is rare to see it – but I found an extraordinary lavender and blue tsutusgaki furoshiki (a traditional wrapping cloth made with a hand drawn rice paste resist technique) with a soft shibori faded background. I was having trouble convincing myself to buy it (“Do I really need it?”) when I realized I had an item stalker. You know what that is, someone who has spotted something you are looking at and decided they want it, so they follow you around the booth hoping you will put it down so they can grab it. An item stalker always helps to force a purchase!

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Since then I’ve found a length of typical shibori (Japanese tie-dye), but in lavender and blue.

lavender shibori

While I’m at it, here’s another really pretty and detailed piece…

blue shibori

…and did someone say pop of color? Obviously May Daouk‘s living room is still on my mind when you look at these colors together.

pink shibori

My spate of finding incredible Japanese prints – impeccably framed no less – at Kawagoe continues unabated. These small lithographs aren’t stand out pieces alone, but as part of a larger gallery wall, I know they will be fantastic.

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I am not familiar with the artist and haven’t had time yet to research it, but I do love them.

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So have you made any great finds recently? I’d love to hear about them!

Related Posts:
Shrine Sale Stories…Yamamoto’s Steamer Trunk
Shrine Sale Stories…My French Moderne Bar Cart
Shrine Sale Stories…Vintage Matchboxes, Frank Lloyd Wright’s Imperial Hotel and The 1948 London Olympics

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So we left Hanoi and traveled to the beach near Da Nang in Central Vietnam. We had booked the Fusion Maia Resort on the advice of a friend – two daily spa treatments are included in the room rate – and we were certainly not disappointed! In addition to the gorgeous stretch of coastline, we knew we’d be nearby the UNESCO World Heritage sites of Hoi An and My Son.

Our arrival at the spa hotel was heralded by lanterns, which had become one of the themes of our entire trip.

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Everything was spectacularly beautiful.  The stretch of beach along the hotel’s waterfront edge is famous as an R & R station for the US Military during the Vietnam War – better known as China Beach – and we were headed there for some much-needed rest and relaxation ourselves.

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Nearby Hoi An is an exceptionally well-preserved example of a South-East Asian trading port and authentically dates from the 15th to the 19th century. Settled by the Chinese and Japanese, as well as the Dutch and Indians, the town boasts a unique architectural heritage. As the river silted up in the last centuries, its importance as a trading center waned and it never developed into a modern-day city.

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The Tan Ky is a marvelously preserved example of an 18th century merchant’s house, one of many that remain, built just before Hoi An’s fall as a major shipping center in the region. Open to the public, it is run by the eighth generation of the original family. It has the typical layout, with shop up front, living and sleeping quarters in the center and kitchen out back. The staircase is even steeper than a step-tansu would be.

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The merchant houses are all built around open courtyards.

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One of the most unusual features of Hoi An is the historic Japanese Bridge, linking the Chinese and the Japanese sides of town. After the shogun limited travel out of Japan in the 17th century, the Japanese presence died, but many of the houses retain Japanese details in their building methodologies.

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The bridge itself remains relatively unchanged and is famous for being the only known covered bridge with a Buddhist pagoda attached to one side.

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Handmade lanterns were available for sale throughout Hoi An and graced every building and were hung along every street.

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There was a profusion of flowers everywhere.

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Every restaurant and building was prettier than the next.

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The market was loaded with every variety of fruit – many of which I could not identify!

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And cyclos were lined up along the river, available for rent, as were river boats.

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Beautiful people everywhere, from older…

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…to younger.

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In Asia, there is always the requisite wedding shot to be found!

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Even more entertaining than the wedding photos were the young couples having staged and costumed photos taken.

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Dinner at Morning Glory restaurant, arguably the best Vietnamese food in town, was delicious.  We loved watching the open kitchen and they also offer cooking classes.

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Nighttime in Hoi An was amazing, with all the bridges and lanterns lit up. For all the tourist attractions and shopping (BTW, Hoi An is the place in Vietnam to get clothes made – there were tailors on every corner) there was nothing phony or staged about it.  It was much bigger than I had expected and much more real.

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For my basket junkies I have to share this photo of silkworm baskets in use at the silk factory shop in town.

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We also saw amazing basket coracles pulled up along the beach on a morning walk.

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The region is also home to a very different sort of cultural heritage site, that of the ruins of a Cham Dynasty complex called My Son, about an hour and fifteen minutes away from Da Nang.

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Truly surprising to see Hindu deities in the midst of Vietnam, but the Cham people were originally from India and they brought their religion with them. There were Sanskrit inscriptions on stelae as well.

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I have tried to get to Angkor Wat in Cambodia repeatedly over the last 15 years, but something always thwarts me (like Pol Pot himself escaping from jail one time and terrorizing the country again). My Son will have to be my mini-Angkor for now.

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It was mysterious and romantic and reasonably uncrowded.

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And much of it is still buried and being reconstructed slowly.

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Good-bye came too soon for my liking, although I was anxious to get home to my girls.

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On our last night the hotel gave us traditional paper lotus flower floating candles to wish on.

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Maybe my wish will come true…

(As a side and somewhat related note, if you are out of TV shows to watch and waiting for more Downton Abbey or think it has jumped the shark and are finished with it, I cannot recommend the late 1980s TV show “China Beach” enough. Early Dana Delaney [before the bad botox] and Marg Helgenberger [before CSI], along with Boonie, Dodger and Dr. Dick Richards, trying to make sense of the war, the injured and their lives working at the 510th Field Hospital. Not sure if it is available on iTunes or DVD, but it should be!)

Many thanks to J.S. for photos 2 and 22.

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IMG_3158On Bergen Street between Smith and Court Streets, hidden up a few stairs and behind a nondescript door, lies one of my favorite Brooklyn antique shops, Fork + Pencil. It is not the flagship location – which is right around the corner on Court Street – instead it is the newer warehouse store, focusing on furniture and artwork. And theoretically, it is not actually an antiques shop, but officially a consignment shop. The mix is eclectic, but there is always something interesting to be found. What makes the place special is the owner Alex and its mission – all profits after expenses go to charity. While this is good unto itself, I think it creates a unique shopping experience and better quality merchandise gets consigned there – people like to see their goods doing good.

The main floor is always a mix of large items with accessory displays covering every horizontal surface, artwork and mirrors on all the walls and chandeliers hanging everywhere. Eras and styles are all jumbled together in a highly enjoyable smorgasbord.

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Intriguing arched shelving unit mounted on a console table.

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Mid-century mixes with colonial.

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Such a variety of lamps, like the pottery one above and this book stack one below…

stack of books lamp

…and this nicely miss-matched pair of cobalt bottles can be found everywhere.

cobalt blue glass bottle lamps

One of F + P’s specialties is porcelain and pottery. Lots of Staffordshire, Asian ceramics, like the big Imari bowl here, lustreware, Sevres and other French porcelain, and the list goes on.

fork and pencil imari

A favorite find is this giant polychrome transferware bowl. Birds and blossoms in the same place!

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Their other great strength is art – etchings, engravings and all kinds of small works on paper, priced so well as to be worth more even than just their frames.

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Loved these antique carriage prints. Very Georgette Heyer!

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The basement is more of an adventure than the upstairs and usually looks something like this, but there are always treasures to be unearthed with a little effort.

fork and pencil basement

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A case in point – it doesn’t get better than this – a George Smith standard armchair found nestled in a back corner…

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…and now nestling right here. Fresh from a Southampton estate, that chair lists for somewhere in the $6000 range new and even on sale rings up around $4000. Planning to re-cover it, but for now it looks great.

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The artwork finds have been outstanding, including this Brooklyn view with its charming French mat and the small Chinese gouache below.

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And an art triple play over just 2 visits yielded these…

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…and this…

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…and these…

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…which mixed with this new offering from Dash & Albert, the Garden Path runner, and some beautiful antique lace curtains, has created an instantly decorated laundry room for about $500.

Garden Path Dash Albert hooked rug

There is a nice article about Alex and the founding of the stores in the South Brooklyn Post. And the original store around the corner is well worth checking out – many of the valuable “smalls” end up there.

Fork + Pencil
Warehouse: 18 Bergen Street
Main Store: 221a Court Street
Brooklyn New York 11201
718 488 8855  |  info@forkandpencil.com
Tuesday – Sunday 11 – 7

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I think it has been more than a year ago at least that I promised to do a full shopping guide to the vintage and antique stores in the Meguro neighborhood of Tokyo. Commonly referred to as Interior-dori, it stretches along both sides of Meguro-dori (dori meaning street), south-west of the Meguro train station from just past Yamate-dori, all the way down to the central post office. After my last post mentioning the lack of furniture available here, I got a few kind complaints as to the truth of that statement and thought it time to fully investigate and report on this unusual cluster of stores. These adhere to that “car dealership synchronicity” adage I have talked about elsewhere (here and here, for example) and numerous people, mostly couples, were browsing on the public holiday earlier this week. With a complete lack of parking and the train station a bit of a walk, the density of shops is needed to bring the public.

My tour starts at the intersection of Meguro-dori and Yamate-dori and heads along the south side of the street walking. I stop in at most of the shops on both sides, although there are a few I missed, so the list is not exhaustive.  There are also stores tucked away in the back streets near by, such as the lovely Found, but those are not on this tour. Many of the merchants are listed on the MISC (Meguro Interior Shops Community) webpage and the shopping map to the area that can be picked up at participating stores. Both for those really looking to furnish a home to those just looking for small gifts and Japanese styling, it is a fun outing.

While most of the stores are channeling that mid-century vibe or at the very least European shabby-chic, one of the first stores on the south side of the street is Chapter, featuring Japanese antiques.

One of their specialties is repurposing, so antique ranma (transom panels) are turned into consoles, dining tables and wall dividers. There is quite a collection of them at the back of the shop. They have great vintage milk glass fixtures too.

I thought this was ingenious – tucking a hard to use small tansu into a larger modern piece of furniture.

Brunch + SC was one of the first of five or six different Brunch outlets (Brunch Branch, Brunch Works, Brunch Time, etc.) all selling their modern versions of furniture inspired by the mid-century. You can see on their logo map below that they stretch all along the street and line both sides.

Each shop has their own particular pieces, but this photo gives a general sense of the style.  There was a western couple shopping here and the sizes of the furniture seemed normal and comfortable. Much of it is teak and order made. Really great chairs (think Wegner Wishbone) at these shops – and they are currently having a chair fest through September.

Brunch Branch nearby had charming garden items.

I had to go into chambre de nimes just based on that stacked luggage in the window.

Everything inside the shop seemed to be imported from France and the place had a real les puces vibe. This was the first of many places that also stocked vintage church pew chairs with a pocket in the back for prayer books. They are super popular here in Japan and I’ve seen them often elsewhere, particularly at the Penny Wise.

And the first, but not the last of the day, of the sewing machine base consoles. New Jersey to Japan – they are everywhere.

The next shop AMS seemed to be different owners on different floors, but the ground floor was full of vintage chandeliers and country-style antiques, including windsor, ladder back and the ubiquitous church chairs.

Next was Junks featuring all kinds of great vintage goods, mostly from the USA, including some favorites of mine such as wooden delivery boxes, printers drawers, old globes, authentic mid-century furniture…

…and this fabulous bottle drying rack for 39,800 yen ($509), which might seem expensive but…

…a similar one was for sale on OKL for the same price on the very same day.

And Becky at Buckets of Burlap just recently put her vintage zinc bottle dryer up for sale for $500.

Gallery S featured a combination of vintage and new furniture, but seemed to specialize in hats. Yes, hats. Love the wooden and painted iron desk and chairs on the right out front.

Tucked away upstairs across the small side street is Point No. 39 which looked promising just from the sign alone! And the word repair was quite intriguing as that is hard to find in Tokyo.

It did not disappoint, being stuffed full of great lighting, furniture and decorative pieces.

I loved the giant sunburst mirror. And by the way, it is also a bicycle store. Go figure!

File Home and Interior was full of gorgeous housewares and also boasted one of the prettiest kitchens I have ever seen in Japan.

Turns out there are a few more File shops across the street including one that actually designs and installs kitchens.

After File, things petered out and before reaching the big Meguro post office I decided it was time to cross to the north side of the street. Anchoring the end on the other side of the street is the giant four floor Geographica. The second floor is home to a charming Italian restaurant Il Levante where I stopped for lunch. There are not many choices for food along the main drag, so I recommend it for a rest or meal.

Geographica was stocked with English antiques – they even carry Sanderson’s line of William Morris Fabrics – and at times felt a bit like a gentlemen’s club. Lots of dark wood, bentwood chairs and framed engravings. One really useful thing they stocked was a full line of knobs and pulls and other hardware. And I love these brass train racks – how great would one of these be in a bathroom? They also have a Yokohama factory shop where they do their restorations.

Pour Annick had more of the golden wood mid-century inspired furniture as well as some fun quirky items.

What about one of these bright stools for the teen bedroom project I am working on?

Since the previous shop that involved climbing stairs was such a success, I made sure to go up to Blackboard.

I was rewarded with industrial chic and some real mid-century pieces.

The curated display of found objects was inspiring too. I forgot to check if they are actually for sale. Blackboard also had some great English language design books.

Roughly across the street from Junks on this side is their sister shop Moody’s full of more vintage furniture and lighting. Many of the pieces had big signs advertising their origins, whether it be Heywood-Wakefied or Eames. It felt like there might be a great find lurking in here.

Meister is one of the leading stores on the street carrying modern versions of those same mid-century design icons, including Nakashima style wood slab tables.

This Eames molded plastic rocker is available for order in a full range of colors and was about $650.

A new Eames rocker in the US is $549 at Herman Miller or Design Within Reach.

I didn’t go into Stanley, but just the idea that there might be somewhere to have custom upholstery, rehupolstery and slip covers made here in Tokyo was revolutionary. If anyone goes in to inquire about a project, I’d love to hear about it.

The De Mode shop felt the most American of all the shops, channeling the rough luxe thing. Check out those industrial light fixtures! They have Tolix style chair too. If you click into their website, they seem to have a number of other fabulous locations, including a warehouse. Definitely something to explore next!

I found it oddly reassuring to see that I can buy glass Ball jars here although I forgot to check the prices.

Lewis specializes in Danish modern.

And at the very end of the tour, almost back to Yamate-dori are three outlets of a recycle shop called Sone Chika. Japanese recycle shops are akin to thrift stores in America and are hit and miss like you would expect. There are definitely finds to be made, although no luck for me that day.

Most of the stores are open from 11am until about 8pm and Wednesday seems to be the closure day for the area. You might want to call ahead if you are interested in a particular spot. Be sure to click the Shop Talk tab in the category list on the right side of the blog for more store reviews and neighborhood strolls.

Related Posts:
On Dumbwaiters and Butler’s Trolleys…Non-Japanese Antiques in Tokyo at The Penny Wise and Found
Shop Talk…Discovering Antique Treasures in Nishi-Ogikubo

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Right now I am working on a really fun project, quite different from my usual style. It is a bedroom for a teenager with a strong sense of what she likes without knowing how to make it get that way. Rather than giving me a list of furniture or a design style, her inspiration photos, sourced by her on Tumblr, communicate emotion and personality – a distinct mood. Take a look….

What do these all have in common? A dreamy feel. Obviously little white sparkle lights, perhaps even with tiny lanterns are an absolute given, as is a collage wall of photos, ephemera and other goodies.  She is already at work collecting pictures and images she likes. The de-riguer Apple lap top which is a requirement for high school she already has. What these photos also have in common is what they don’t have, i.e. there is no significant or important furniture or art, which bodes well for the budget. On the other hand, the room needs to be more than just some sparkly white lights. It needs to be functional and practical and perhaps able to mature along with its owner.

The room itself is absolute Tokyo standard – small, with ugly off-white wallpaper and carpet and no interesting architectural features. Tracy the bear has to stay.

Her other dictates are also quite clear:

She loves bright pink.

She doesn’t like “Asian”.

And her mom’s dictates are clear too:

She needs the room to grow with her.

This needs to be done on a budget.

My additional inspiration photos for desk and orderly display include quite a bit of white and pink, containers for order, cute desk lamps and a mid-century modern chair. (From here, here, and here.)

Our resources here in Tokyo are limited, particularly on a budget. I know readers in the US and elsewhere think of Japan as a design mecca, but when it comes to reasonably sized furniture (as in not miniature) at reasonable prices, the selection here is very small. We have IKEA, shrine sales for an occasional find, IKEA, antique stores, IKEA, some sweet boutiques and mail order for accessories, and IKEA. We can’t paint or change anything and arguably can’t even put holes in the wall.

That she doesn’t love “Asian” can’t really go over well as that is one of our only pools of choice. I think it requires a bit of trickery – choosing things Japanese that she doesn’t consciously read as Japanese. For instance, one of the key pieces in the design is this hot pink shibori silk kimono obi for a window valence bought at a shrine sale. Quintessentially Japanese, but to her it reads as funky tie-dye. It has her pink and a soft accent of turquoise, which we will also be using.

IKEA, IKEA, IKEA

While an absolutely amazing resource, we don’t mean for the space to end up looking like one of the little sample rooms at the store. That being said, items from IKEA will be the backbone of the design, in particular this black and white Rand dhurrie rug.

We have pulled this living room photo as a working tool. The black and white rug grounds the pink and makes it more sophisticated and eclectic. It also allows for later changes and updates. My theory on these Rand rugs is that we should all buy one and put it away. Some day soon IKEA will stop making them and we will all be reminiscing about them for years.

The brand new issue of Lonny also had a perfect inspiration space for this project. Here the striped rug is actually a zig zag, but it has just the kind of bedding mix we want to put together – white background and pink and turquoise accents. Note the mid-century chair here too. (You need to look left and right here as it is the same room in this screen shot.)

For bedding ideas we can turn to the internet, especially since the sizes of local linens doesn’t match the US standard sizes, and order things to be sent to a friend’s house in the USA and shipped here. We will stop into some cute local design stores here that aren’t a fortune too, like Franc Franc and Afternoon Tea, for throw pillows and other accessories like desk lamps and organizers.

I am still on the hunt for the perfect duvet cover, but this Nile cover from West Elm on big sale for $24.99 might do. I’d really rather find something more like the Roberta Roller Rabbit duvet in the Lonny photo above.

We are all loving this long accent bolster from Pine Cone Hill.

Perhaps a splurge on a special elephant pillow from John Robshaw or Jonathan Adler. The choice depends on which way we swing the mood.

And we definitely plan to add some turquoise with either a quilt like these – the Amanda or Big Cata from Roberta Roller Rabbit

…or a little turquoise trellis, quatrefoil or zig zag in a pillow or two, like this one from Urban Outfitters.

The desk and chair combo needs a little modern sleekness mixed with vintage style. Although the room could use a little brown wood to weight it and keep it from being too child-like, we’d take Carla Fahden‘s exact set-up as-is – vintage white wicker desk with hot pink bentwood chair and turquoise peanut lamp. The lamp is on sale at Pier One right now, so maybe we can order it along with the little white string lights and add it to our box coming from the US.

We are likely to look for a good mid-century desk that could travel with her to her adult life, like this one via Houzz. And I really continue to think the room needs some wood to warm it up…

There are plenty of vintage bentwood chairs at the shrine sales if we want to go that direction, whether in wood or painted pink!

Here’s a mid-century desk + plastic Eames type chair from a great Etsy shop – too bad they can’t ship to Japan.

We could use the IKEA Snille in white (or pink!) and shop Meguro-dori for a desk to get the look above…

We are planning on hunting up the more unique accessories at shrine sales in the coming weeks. I’ll let you know how this develops and hope to have a full reveal quite soon – teenage clients are very impatient!

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To quickly review, how does one make a silk purse out of a sow’s ear? Well, I am not sure if I have done that, but I have done as much as I can to the master bath with what I already had to work with and a tiny budget for change.

With a better structural choice –  changing to a pocket door – we gained square footage, ambient light and a utilitarian feature that turned into a show piece.

We changed the color scheme of the room entirely, from a bright peach box to white and blush, without changing the existing tile work or plumbing fixtures, using paint magic from a textile inspired block print technique on the walls…

…and the simple charm of Benjamin Moore’s White Dove, one of the most perfect whites around, which while being truly white itself, can also make an existing almond toilet look white. Magic!

With a change of metals in the lighting and fixtures from faux this…

…to this, Pottery Barn’s Florence Collection in polished nickel with its fleur-de-lis backplates, elegant glass rod and scrolled brackets…

…and this, Pottery Barn’s Covington Hotel Triple Sconce, also in polished nickel, with its simple, almost Moorish design. There was simply no reason to go to higher end, more expensive fixtures with these well made, well designed ones available at such reasonable prices.

Antique accessories and inspiration are a must, in this case a small collection of pink lustreware, which set the tone and color for the entire room…

…and a vintage mirror from my larger collection. I’m not sure it is quite big enough, but it has an ethereal quality of light and I look softer, younger and prettier in it, so it is staying! And if you were wondering what happened to the gilded French oval mirror that was here before, be sure to check my next post.

And never forget the softness of fabric, which performs its own magic, filling dead space near the ceiling and covering an unusually large and unsightly header, while adding some dressiness. Pottery Barn Textured Cotton Curtain and Cafe Curtain used as the valence.

You’ll note the key thing I am not showing, thus the “almost” in the title. What is it? The vanity, of course. That will have to wait for winter or next year. The vote from all was a resounding yes to a vintage marble-topped wash stand. I could have stopped and painted the one that is there, but I don’t want to get lulled into keeping such an impractical piece. I’ll be keeping my eye out for one, hunting on Ebay and with local dealers around here. Thanks to everyone for all your comments and input!

Master Bathroom Related Posts:
Renovation Report…Do You Throw Good Money After Bad? Thoughts on Fixing My Master Bathroom
A Day Too Late…One Perfect Bathroom Photo
Renovation Report…Pocket Door Progress
Renovation Report…Vanity Dreams or Vanity Reality?
Renovation Report and a DIY…Using Indian Wood Blocks to Create “Wallpaper” in the Master Bath

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So I have been thinking a lot about what I wrote in my last post, about considering buying that French marble pastry table even though I don’t have a use for it right now and keeping it for some later home or project. And I did buy that vintage schoolhouse desk at the garage sale, using the “it’s too cheap and too nice to leave behind” rule. Making me think about it more was seeing the just released September issue of Elle Decor featuring Reese Witherspoon’s early Wallace Neff designed Ojai, California home. Originally built in 1923 as stables for Edward Drummond Libbey, it retains much of its original detail in great condition including hewn beams, stucco walls and iron railings and fixtures.

Decorated quite simply and elegantly by Kristen Buckingham, who is always a favorite, it has got me asking myself that same question about yet another item. Witherspoon’s daughter’s bedroom, full of soft pretty colored textiles and that great alcove bed, has a swagged 1920s tole chandelier, which is a sweet focal point.

I have been tracking a similar fixture at one of my local antiques stores for a few years now. It hangs a bit forlornly over a booth full of mid-century modern furniture, the relic of a previous dealer of Continental antiques. Not inexpensive, but not unreasonable, I have always thought about buying it, even though once again I don’t currently have a need for it. Entryway, dining room, bedroom – it could work anywhere – but will I ever need it? But if I don’t buy it will I one day regret it?

Furniture needs storage, but smaller decorative items can be tucked away. Textiles are another item easy to buy and store as they don’t take up much room. I recently shopped my own linen closet and came up with yards of this hand-printed cotton voile called Shree Teak from John Robshaw that I am using as a lynchpin in my upcoming “cheap and cheerful” kitchen renovation. Where and when I bought it, I couldn’t tell you, but having it on hand and having it be just perfect was great fun.

On the other hand I have an amazing embroidered fringed panel from an antique Chinese bed (bought in Hong Kong in 1998) still wrapped in acid-free tissue, sitting in a drawer at home in Tokyo, waiting for its eventual use. I have a vision of what I want to do with it, but the question is whether or not I will ever have the right house and the right space to do so. But even so, I don’t regret buying it for a minute!

The list of other things in storage is somewhat endless, from fabric to light fixtures, to furniture farmed out on loan to friends and relatives. What about you? Do you buy things and then put them away for the future? When you take them out, do you still love them or wonder why you bought them? Is there some item that got away that you still wistfully dream of?

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Do you like your karakusa hot?

Or cool blue and white?

Your darumas bright?

Or modeled by the chef dressed in white?

Artist Lisa George of PaperGlueBamboo is having a sale this week of her new Spring 2012 line. For an extensive post about her modern take on the ancient craft of ikkanbari, take a look at Artist Spotlight…Lisa George and the Modern Art of Ikkanbari at PaperGlueBamboo. Her Tsukiji market shopping baskets would be great for toting stuff to the beach or having a summer picnic. Drop me a note at jacquelinewein[at]yahoo.com if you are interested in an invitation.

All this talk of baskets and ikkanbari has caused me to have an epiphany about a possible solution to the ceiling fan light at the beach house that I mentioned just the other day. Ceiling fans can be a necessary eyesore and I had been scouting ideas on improving them, finding posts over at Young House Love and Thrifty Decor Chick where they added a lampshade to give a fan light more style.

Those photos clicked in my memory with this photo from Kawagoe shrine sale last year in which a dealer had hung a basket upside down for eye level display. Even at the time it reminded me of a lampshade, but I didn’t put it all together.

Here’s another similar Japanese open-work basket, narrower and deeper than the one above, shown upside down to mimic a lampshade. It might just make a perfect lampshade for the ceiling fan, adding a bit of softening to the bright light and accessorizing the room. The basket has a great beachy feel too!

And if the open-work of the basket doesn’t camouflage the light bulbs well enough, we could always wrap it with a bit of washi paper ikkanbari style like this one…

George, are you listening?

Related Posts:
Artist Spotlight…Lisa George and the Modern Art of Ikkanbari at PaperGlueBamboo
Sweating the Details…A Round-Up of Brass Library Wall Sconces

Image credits: 1-4. Lisa George, 5. via Young House Love, 6-7. me, 8. via Lamps Plus

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The small details can really make or break a space, which is why it is so easy to get caught up in them. From the very beginning of our renovation of the back TV room/guest bedroom at the beach house I have been planning on putting in a pair of aged brass sconces on either side of these antique butterfly prints over the daybed. Of course I don’t have a great photo of the space for you, but here is a close-up of the very unfinished space…

…and here is a long view shot taken right after the door to the room was put in. One of my goals is to get rid of the overhead light on the ceiling fan, and two sconces would certainly help with that. Since there is no room for any kind of end table either, they would also work for reading and as night table lamps.

A swing arm or moveable style makes the most sense to serve such a multi-functional space and I have long been in love with the Sandy Chapman designed Boston functional library wall light from Circa Lighting, whether it be the single arm version…

…or the double arm version. The beautiful patina of the brass and the details of the hardware are just beautiful. The question between them has always been whether the 2 arm version is simply too large for the small space or perhaps it is just that oversized kind of piece that helps to make a small room look larger.

While I have been tracking dual arm sconces for more than a decade – like this pair in an old version of Nanette Brown’s summer house from a 2000 House Beautiful

…the entire design world has gone nuts for them more recently, perhaps stemming from this much blogged about photo from Domino magazine. This photo gives a good sense of how big the dual arm version is, but also how dramatic it can be in a small room.

Everywhere I look, I come across dual arm sconces, from this Celerie Kemble designed bedroom…

…to Candia Fisher‘s gorgeous living room…

…to above kitchen windows, often in long rows.

The Boston style is not the only choice. Circa Lighting also makes this similar Anette library lamp

…and the Graves Pivoting Sconce, which has lovely hardware but not the brass shade.

Rejuvenation makes a version called The Reed. But none of them compare to Circa’s Boston version for me.

For all that I love that Boston version, what I really wish I could have is the real thing – a one-of-a-kind vintage sconce, like these 1930s brass boat lamps selling for $1200 and $1800 on 1st dibs

…or these 1940s brass sconces from a recent One Kings Lane sale, priced at $1299. But with prices like that, it is not going to happen unless my fantasy of stumbling across a pair at a shrine sale comes true (and stranger things have happened!).

My other worry is that they have now become ubiquitous and too trendy. Don’t you just hate when things you love move too far into the mainstream? So I have been contemplating some other options.

Another favorite lighting company of mine is Holtkotter. The quality of their fixtures which have halogens on amazing rolling dimmers is unsurpassed. I already have a pair of standing desk lamps from them, my first anniversary present bought many years ago (for those in the know, they are the lamps that were backordered, causing my husband to have to write that very first poem instead of present). I have always liked these swing arm sconces from them, with their exaggerated retro shape, but hadn’t considered them until stumbling across a post by Camille over at The Vintique Object.

She bought a pair at a thrift shop in California for $4. Shall we say that again? Four dollars! And as she doesn’t seem to be using them, I have been trying to trade her any Japanese antique of her choice for them, but she hasn’t yet made up her mind.

They are also available new over at the Holtkotter site, as is this sconce, a wall version of the desk lamps I just mentioned. Sweet practical husband votes for this one because it also up-lights as well as down-lights which would help in the quest to get rid of the ceiling fan light, but in this case we are going to ignore him, because we (the global we) care more about form than function at this moment.

There is also a cheapie version in black on sale for $59 over at PB Kids. Just mentioning it!

As the Holtkotter sconce continued to feel too mod and not antique-y enough for the beach house, I kept my eyes open. And then the other day I was reading some blogs new to me, including Bryn Alexander‘s and I saw these brass sconces she had used in her bedroom.

They are from the Robert Abbey and combine the qualities of the Circa Lighting Boston functional library light with the Holtkotter swing arm sconce. The shape is reminiscent of the Holtkotter light, but more fully formed and the brass has the aged feel of the Circa lamp as does the hefty detailed hardware.

So what do you all think? Which would you choose? And would you change you mind in the 11th hour, or go with your long-term vision?

And in case you think I am over thinking it all, I am not the only one agonizing over these decisions – take a look over at Pure Style Home and The Lettered Cottage for more.

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“In Japan, sake has always been a way of bringing our gods and people together. In some of this country’s oldest texts the word used for sake is miki, written with the characters for ‘god’ and ‘wine.’ People would go a shrine festival and be given rice wine to drink, and they would feel happy and closer to the gods.”
-Tetsuo Hasuo of the Japan Sake Brewers Association in The Japan Times

Komokaburi, the straw-wrapped cypress kegs used for transporting sake are a common enough sight in Japan, especially the stacks and stacks of empties found at shrines, the only remains of ceremonial donations.

The shape, rope and ornamentation have remained pretty constant over the centuries, with the main difference between them being the logos of the different breweries.

While I like the regular barrels, I am particularly fond of the much rarer porcelain ones, modeled for all intents and purposes to look just like the wooden ones, including simulated molded ropes holding the straw wrapping in place. During the Edo period, rural sake brewers needed a method of transporting their brew to the large cities. These large porcelain casks could be carried on pack horses or transported on special ships called taru kaisen or cask ships. Until the 1940’s, they continued to be used to dispense draft sake in shops. Customers would come into the shop with their own smaller ceramic bottles and have them refilled with their favorite brand.

On this beautiful pair you can really see the simulated wrapping and ropes raised in the porcelain.

Here the molded ropes are a different woven style.

Good examples will have their original stopper tops and perhaps their bamboo wrapped handles. Decoration tends to be simple blue on white, with occasional additional details picked out in color, like the green pine needles above, or even occasionally other colors added to simple images related to the brewery, as in the case of the jug below with its charming waterfall.

The back sides tend to be pretty simple, with additional information picked out in blue kanji. I have never seen color on the reverse.

Large jugs are the most common, but I have found some smaller ones, including these two decorated with very graphic stars. I have been experimenting with photographing objects lately and I really like how these play off against the indigo blue background.

Porcelain sake barrels look great nestled into arrangements with other casual porcelain pieces.

A common modern-day adaptation is to wire the jugs and turn them into lamps, which is very attractive and functional.

Sig Bergamin, whose eclectic interiors chock-full of color I have featured here before, has a sake jug lamp interspersed with other blue and white treasures. We can only see the simple back side of his jug in this photo. Try as I might, I couldn’t come up with a picture from the other side.

Another sake jug lamp peeks from the corner in a very differently styled room by Jeffrey Bilhuber.

 

Tokkuri, the smaller Japanese stoneware sake bottles, decorated with not much more that the names of their distillers are also wonderful accents when grouped in a vignette.

They too make excellent lamps. Which do you prefer? A dark shade…

…or light ones?

Tsunodaru, the red lacquer ceremonial horn/two-handled barrels used at wedding ceremonies are less commonly found, but out there nonetheless. Again, note the mock “ropes” carved from wood. They often are offered as a gift to the bride and groom together with lacquered cups as sake is always drunk to mark important occasions. Because it is meant to be enjoyed with friends and family, tradition holds that a person must never pour their own sake; instead another person pours for you, and you do the same for them, which is such a lovely custom.

Can you spy the pair of ceremonial jugs in this London home?

So would you rather drink sake or illuminate your room?

Image credits: 1-3. courtesy M. Wilce and L. Border, 4-9, 14 & 17. me, 10. courtesy M. Small, 11. via Joseph Joseph & Joseph, 12. via Once Upon a Tea Time, 14. The Way Home by Jeffrey Bilhuber, photo credit: William Abranowicz, 15. via Antique Lamp Shop, 16. via 1st dibs, 18. World of Interiors July 2010, photo credit: Bob Smith

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